27-09-2012, 01:07 PM
RADIO PROGRAMME PRODUCTION
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If you listen to radio at least once in a while, you may remember a few programmes.
You remember them because you liked them. You liked them because they were
interesting. You do not remember a majority of programmes because what is heard
is fast forgotten. We have already discussed about this feature of radio in the
lesson on ‘characteristics of radio’.
To make a programme interesting, it has to be produced well. Radio production
is a very vast subject. Due to constant change in technology, the techniques of
radio production keep changing. But the basics remain the same. You may have
the best of ideas, the best of scripts and the best of voices; but if the programme is
not produced properly it will not be interesting to listen to.
In this lesson, you will learn about the process of radio production and its different
components.
Radio Programme Production
Think of a crowded market or temple. If you are creating that scene in a radio
programme, you do not have to go to a crowded market or temple to record.
Well, you can record those sounds and use them. But in most cases, you use
sound effects which are already recorded. Sound effects can be used in two
ways:
(a) spot effects or effects that are created as we speak and
(b) recorded sound effects.
If you are recording a radio programme in which someone knocks at the
door, you can make a knocking sound either on a door or a wooden partition.
Or you want to show that someone is pouring water from a bottle into a glass;
here again you can use the actual sounds produced on the spot. But if you
want a lion roaring or a dog barking, you probably cannot bring a lion or a
dog to the studios! Here we use recorded sounds which are kept on tapes or
discs. Almost all sounds are available on CDs which you can try and use.
There are also certain types of computer software available for this.