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Kamala Das

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Introduction:

Kamala Das is one of the three most significant Indian poets writing in Englishtoday, the other two being Nissim Ezekiel and Ramanujan. Her poetry is all about herself, about her intensely felt desire for love, for emotional involvement, and her failure to achieve such a relationship. In this poem, “My Grandmother’s House” Kamala Das, recalls her ancestral home and her dead grandmother. This poem takes the form of a confession comparing her present broken state with that of being unconditionally loved by her grandmother.

Themes in the Poetry of Kamala Das:

The poetry of Kamala Das is a search for the essential woman, and hence the woman persona of her poems plays the various roles of unhappy woman, unhappy wife, mistress to lusty men, reluctant nymphomaniac, silent Devdasi and love-lorn Radha. Kamala Das has also been called a poet in the confessional mode. The confessional poets deal with emotional experiences which are generally taboo. There is a ruthless self-analysis and a tone of utter sincerity. As E.V.Ramakrishnan rightly says, “In her poetry, Kamala has always dealt with private humiliations and sufferings which are the stock themes of confessional poetry.”

Reminiscent of the Poet’s Ancestral Home:

The poem is a reminiscence of the poetess’ grandmother and their ancestral home at Malabar in Kerala. Her memory of love she received from her grandmother is associated with the image of her ancestral home, where she had passed some of the happiest days of her life, and where her old grandmother had showered her love and affection. With the death of her grandmother the house withdrew into silence. When her grandmother died, even the house seemed to share her grief, which is poignantly expressed in the phrase “the House withdrew”. The house soon became desolate and snakes crawled among books. Her blood became cold like the moon because there was none to love her the way she wanted.

Yearning for the Past: Choked with Grief:

The poet now lives in another city, a long distance away from her grandmother’s house. But the memories of her ancestral house make her sad. She is almost heart-broken. The intensity of her emotions is shown by the ellipses in the form of a few dots. Now, in another city, living another life, she longs to go back. She understands that she cannot reclaim the past but she wants to go back home, look once again through its windows and bring back a handful of darkness – sad and painful memories, which she would have made her constant companion, to keep as a reminder of her past happiness. The poet is unable to proceed with her thoughts for sometime as is indicated by the ellipses (dots).
The poet is now choked with the intensity of grief. She yearns for love like a beggar going from one door to another asking for love in small change. Her need for love and approval is not satisfied in marriage and she goes after strangers for love at least in small quantity. But she does not get it even in small change or coins. Her love-hunger remains unsatisfied, and there is a big void, a blank within her, she seeks to fill up with love but to no avail. The image of the window is a link between the past and the present. It signifies the desire of the poet for a nostalgic peep into her past and resurrect her dreams and desires.

Conclusion:

The poem springs from her own disillusionment with her expectation of unconditional love from the one she loves. In the poem, the image of the ancestral home stands for the strong support and unconditional love she received from her grandmother. The imagery is personal and beautifully articulates her plight in a loveless marriage. Thus, the old house was for her a place of symbolic retreat to a world of innocence, purity and simplicity, an Edenic world where love and happiness are still possible.”