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SarvepalliRadhakrishnan resume

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SarvepalliRadhakrishnan

( listen (help•info); 5 September 1888 – 17 April 1975) was an Indian philosopher and statesman who was the first Vice President of India (1952–1962) and the secondPresident of India from 1962 to 1967.[1]
One of India's most influential scholars of comparative religion and philosophy, Radhakrishnan built a bridge between the East and the West by showing how the philosophical systems of each tradition are comprehensible within the terms of the other. He wrote authoritative exegeses of India's religious and philosophical literature for the English-speaking world. His academic appointments included the King George V Chair of Mental and Moral Science at the University of Calcutta (1921–1932) and Spalding Professor of Eastern Religion and Ethics at Oxford University (1936–1952).
Radhakrishan was awarded the Bharat Ratna, the highest civilian award in India, in 1954. Among the many other honors he received were the British Knight Bachelor in 1931 and the commonwealth Order of Merit (1963), but ceased to use the title "Sir" after India attained independence.[2] His birthday is celebrated in India as Teachers' Day on 5 September.[3] He was also awarded the Templeton Prize in 1975 in recognition of the fact that "his accessible writings underscored his country’s religious heritage and sought to convey a universal reality of God that embraced love and wisdom for all people".[4]

Early life and education

SarvepalliRadhakrishnan was born in a NiyogiTelugu Brahmin family [5] at a village near Thiruttani India, 84 km to the northwest of Madras (now Chennai). His father's name was SarvepalliVeeraswami[6] and his mother's was Sitamma.[6] His early years were spent in Tiruttani and Tirupati. His father was a subordinate revenue official in the service of a local zamindar (landlord). His primary education was at Primary Board High School at Tiruttani. In 1896 he moved to the Hermansburg Evangelical Lutheral Mission School in Tirupati.[7]
Radhakrishnan was awarded scholarships throughout his academic life. He joined Voorhees College in Vellore but switched to the Madras Christian College at the age of 17. He graduated from there in 1906 with a Master's degree in Philosophy, being one of its most distinguished alumni.[8]Radhakrishnan wrote his thesis for the M.A. degree on "The Ethics of the Vedanta and its Metaphysical Presuppositions".[9] He was afraid that this M.A. thesis would offend his philosophy professor, Dr. Alfred George Hogg. Instead, Hogg commended Radhakrishnan on having done most excellent work.[citation needed]Radhakrishnan's thesis was published when he was only 20.
Radhakrishnan studied philosophy by chance rather than choice. Being a financially constrained student, when a cousin who graduated from the same college passed on his philosophy textbooks in to Radhakrishnan, it automatically decided his academic course.[10][11] Later on he felt deep interest in his subject and wrote many acclaimed works on philosophy, both Eastern and Western.
Radhakrishnan was married to Sivakamu,[12] a distant cousin, at the age of 16.[13] As per tradition the marriage was arranged by the family. The couple had five daughters and a son

Krishna

(Sanskrit: कृष्णKṛṣṇa in IAST, pronounced [ˈkr̩ʂɳə] ( listen)), literally "black") is the eighthincarnation of Lord Vishnu in Hinduism. The name Krishna appears as the 57th and 550th name of Lord Vishnu in Vishnu Sahasranama of the Mahabharata, and is also listed in the 24 KeshavaNamas of Lord Vishnu which are recited and praised at the beginning of all Vedicpujas. A puja is the ritualistic worship offered in Hinduism.
According to the BhagavataPurana, which is a sattvicpurana,[6] Krishna is termed as SvayamBhagavan since he was the purna-avatara or full incarnation of the supreme god Vishnu.[7][8] Krishna is often described and portrayed as an infant or young boy playing a flute as in the BhagavataPurana,[9] or as a youthful prince giving direction and guidance as in the Bhagavad Gita.[10] The stories of Krishna appear across a broad spectrum of Hindu philosophical and theological traditions.[11] They portray him in various perspectives: a God-child, a prankster, a model lover, a divine hero and the supreme being.[12] The principal scriptures discussing Krishna's story are the Mahabharata, the Harivamsa, the BhagavataPurana, and the Vishnu Purana.
Worship of the deity Krishna, either in the form of Vasudeva, Bala Krishna or Gopala, can be traced to as early as 4th century BC.[13][14] Worship of Krishna as svayambhagavan, or the supreme being, known as Krishnaism, arose in the Middle Ages in the context of the bhakti movement. From the 10th century AD, Krishna became a favourite subject in performing arts and regional traditions of devotion developed for forms of Krishna such as Jagannatha in Odisha, Vithoba in Maharashtra and Shrinathji in Rajasthan. Since the 1960s the worship of Krishna has also spread in the West, largely due to the International Society for Krishna Consciousness.[15]

As a Name of Vishnu, Krishna listed as the 57th Name in the Vishnu Sahasranama. Based on His Name, Krishna is often depicted in murtis as black or blue-skinned. Krishna is also known by various other names, epithets and titles, which reflect His many associations and attributes. Among the most common Names are Mohan "enchanter of women or cowherdesses", Govinda, "Finder of the cows", or Gopala, "Protector of the cows", which refer to Krishna's Childhood in Vraja (in present day Uttar Pradesh).[18][19] Some of the distinct names may be regionally important; for instance, Jagannatha, a popular Incarnation of Puri, Odisha in eastern India

Smithsonian Institution

Krishna is easily recognized by his representations. Though his skin colour may be depicted as black or dark in some representations, particularly in murtis, in other images such as modern pictorial representations, Krishna is usually shown with blue skin. He is often shown wearing a yellow silk dhoti and a peacock feather crown. Common depictions show him as a little boy, or as a young man in a characteristically relaxed pose, playing the flute.[21][22] In this form, he usually stands with one leg bent in front of the other with a flute raised to his lips, in the Tribhanga posture, accompanied by cows, emphasizing his position as the divine herdsman, Govinda, or with the gopis (milkmaids) i.e. Gopikrishna, stealing butter from neighbouring houses i.e. NavneetChora or Gokulakrishna, defeating the vicious serpent i.e. KaliyaDamana Krishna, lifting the hill i.e. Giridhara Krishna ..so on and so forth from his childhood / youth events.
A steatite (soapstone) tablet unearthed from Mohenjo-daro, Larkana district, Sindh depicting a young boy uprooting two trees from which are emerging two human figures is an interesting archaeological find for fixing dates associated with Krishna. This image recalls the Yamalarjuna episode of Bhagavata and HarivamsaPurana. In this image, the young boy is undoubtedly Krishna, and the two human beings emerging from the trees are the two cursed gandharvas, identified as Nalakubara and Manigriva. Dr. E.J.H. Mackay, who did the excavation at Mohanjodaro, compares this image with the Yamalarjuna episode. Prof. V.S. Agrawal has also accepted this identification. Thus, it seems that the Indus valley people knew stories related to Krishna. This lone find may not establish Krishna as contemporary with Pre-Indus or Indus times, but, likewise, it cannot be ignored.[23][24][25]

Bala Krishna dancing, sculpture from National Museum, New Delhi.
The scene on the battlefield of the epic Mahabharata, notably where he addresses Pandava prince Arjuna in the Bhagavad Gita, is another common subject for representation. In these depictions, he is shown as a man, often with supreme God characteristics of Hindu religious art, such as multiple arms or heads, denoting power, and with attributes of Vishnu, such as the chakra or in his two-armed form as a charioteer. Cave paintings dated to 800 BCE in Mirzapur, Mirzapur district, Uttar Pradesh, show raiding horse-charioteers, one of whom is about to hurl a wheel, and who could potentially be identified as Krishna.[26]
Representations in temples often show Krishna as a man standing in an upright, formal pose. He may be alone, or with associated figures:[27] his brother Balarama and sister Subhadra, or his main queens Rukmini and

Satyabhama.

Often, Krishna is pictured with his gopi-consort Radha. Manipuri Vaishnavas do not worship Krishna alone, but as Radha Krishna,[28] a combined image of Krishna and Radha. This is also a characteristic of the schools Rudra[29] and Nimbarkasampradaya,[30] as well as that of Swaminarayan sect. The traditions celebrate RadhaRamanamurti, who is viewed by Gaudiyas as a form of Radha Krishna.[31]
Krishna is also depicted and worshipped as a small child (Bala Krishna, BālaKṛṣṇa the child Krishna), crawling on his hands and knees or dancing, often with butter or Laddu in his hand being LadduGopal.[32][33] Regional variations in the iconography of Krishna are seen in his different forms, such as Jaganatha of Odisha, Vithoba of Maharashtra[34] and Shrinathji in Rajasthan