24-10-2016, 10:31 AM
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Pressing is an essential part of any home sewing project. Good pressing techniques help to create
a professional-looking garment. Correct pressing helps to shape the fabric to your figure, flatten
seams and edges, and save you time.
GENERAL TECHNIQUES
To gain skill in pressing, you need both the
right equipment and the “know-how.” No
amount of careful cutting, fitting and
construction can make up for too much, too
little or incorrect pressing. Practice the eight
procedures listed here and you will soon
become an expert.
1. Before pressing the garment you are
making, always test-press a scrap of
the fabric first. Set the heat indicator
for the type of fiber. For a blend, set
the indicator for the fiber requiring the
lower temperature. For example, a
polyester-wool blend usually should be
pressed at the temperature polyester
requires. Test the fabric for the
amount of moisture, if any, needed to
shape it. Also check to see which type
of press cloth gives the best results.
2. Thorough pressing during each
construction step contributes to a
precision look. It makes following each
construction step easier, thus saving
you time. Very little final pressing is
necessary for a garment that has been
properly pressed while being made.
3. True pressing calls for a lowering and
lifting (up and down) motion. This
flattens the seam or molds the detail
without stretching the seam or
distorting the grain. Never push or
drag the iron over the fabric.
All pressing should be done with the
grain, just as in stitching. Press seams
from the wide to the narrow part of the
garment--from the hem to the waist of
the skirt, from the neck to the sleeves
at the shoulder, toward the point of a
dart, etc.
5. Press curved seams and shaped areas
over a pressing ham, roll or cushion
(Figure1). This helps mold the garment
to the figure. It also helps the garment
hold its shape.
6. Generally speaking, most pressing is
done on the wrong side of the garment
when possible. If moisture is needed,
use a steam iron or a damp cloth. For
best results, dampen the cloth with a
sponge. When pressing on the right
side of the garment, protect the fabric
with a cloth.
7. Press each seam, tuck or dart before it
is joined to a seam or piece of fabric.
Basting threads should be removed
before pressing. Steam pressing over
basting stitches will cause markings to
appear in the fabric that, for many
fabrics, are almost impossible to
remove.
8. Be sure the ironing board pad and
cover are completely free of lumps and
folds. Many fabrics will pick up marks
or develop a shine when pressed over
any type of unevenness. Keep the
soleplate of the iron clean and free of
any scratches.
9. Take care not to over press which can
remove surface texture and create
shine.
PRESSING DURING CONSTRUCTION
Darts
First press the dart on the fold with the tip of
the iron (Figure 2). Then press the dart
toward the center back or center front of the
garment, using a tailor’s ham (Figure 3).
Underarm and sleeve darts are turned
downward. Double pointed and curved darts
need to give at the fold or be clipped at the
center for a better line. Darts in very heavy
fabrics may be cut open almost to the point.
Press open darts the same way as an open
seam, forming a small box pleat at the point.
Hems
Press the fold of the hem after the hem is
marked, basted, trimmed, and eased at the
top. However, do not press over the bastings. Direct the iron from the lower edge of the
hem, always with the grain. You might put
heavy paper between the hem and the
garment to prevent the hemline from marking
the right side (Figure 4). Shrink the ease in
the hem, when necessary, by steaming it with
a steam iron or a damp press cloth. A final
pressing on the right side usually improves the
appearance of the skirt. If you prefer not to
have a crease in the fold of the hem, steam
press the hem by holding the steam iron
slightly above the hem. Do not actually touch
the iron to the fabric. Pat the dampened hem
line with your hand to give it a look.
Seams
For all seams, press along the stitching line in
the same direction as the seam was sewn.
When possible, open the seam flat with the tip
of the iron.
Flat Seam
Place heavy paper under the seam allowance
(see “Hems” above) to prevent ridges from
showing on the right side. Pressing the seam
over a pressing roll will serve the same
purpose. Steam if appropriate for the fabric.
When sewing on heavy, thick fabric that does
not press easily, a clapper (pounding block)
may be used on the seamline to insure a flat
seam.
Curved Seam
Place curved seams on a tailor’s ham, press
mitt or pressing roll to maintain roundness.
Press as for a flat seam.
Enclosed Seam
Place enclosed seam such as a collar, over
the edge of a point press (Figure 7). Open the
seam with the tip of the iron. Remove from
the point presser and turn right side out. Roll
the seam slightly to the underside and press
using a press cloth. A good rule to remember
is to press seams open when possible before
pressing them closed.
Sleeves
Some sleeve applications require the sleeve
cap to be eased smoothly into the armhole
opening. To shrink the ease in the sleeve cap
after its fullness has been adjusted, place the
cap over the end of the sleeve board or over the tailor’s ham. Steam carefully, allowing the
point of the iron to go up to, but not beyond
the stitching line into the cap (Figure 5).
Repeat the process until the ease is shrunk
out or the cap is shaped.
Not all the ease in blends or fibers and firmlywoven
fabrics will steam out, but the cap will
shape. All the ease may be steamed out of
wool. The sleeve needs little additional
pressing after it is stitched in placed. DO NOT
crease sleeves lengthwise.
Press the lower hem of a sleeve by pushing
the tip of the iron into the sleeve (Figure 6)
rather than by turning the sleeve wrong sideout.
EQUIPMENT
The proper pressing equipment will help you
achieve a more professional finish:
The point press is made of hard wood and is
used to press points, curves and straight
edges (Figure 7). It enables you to press
seams flat and open without wrinkling the
surrounding area.
The sleeve board is designed for pressing
small or slim areas, such as sleeves, that do
not fit over your regular ironing board (Figure
8). It should have a silicone cover and
padding.
The clapper is a block of smooth wood. It is
used along with steam to flatten seam edges
(Figure 9), and a “must” for tailoring. To use,
make as much steam as possible with steam
iron and/or iron with a damp press cloth.
Remove iron quickly while steam is still
present and pound area firmly. Regulate your
pressure to suit the desired edge. Do not use
clapper on fabrics with pile or hair, as the pile
will crush or the fibers may break. An 8-10"
piece of hardwood 2 x 4 makes a good
substitute for a commercial clapper.
The needleboard is used to press pile and
easily marred woolens fabric to prevent them
from flattening (Figure 10). The fabric is
placed face down on the board so that the pile
falls in between the needles. Sometimes a
heavy terry bath towel can be substituted
when a needleboard is not available.
The press cloth is one of the most important
pressing items (Figure 11). It is used to
prevent shine and to protect your fabric from
direct heat. An extra scrap of your fashion
fabric makes an excellent press cloth!
Otherwise select a cloth that is similar in
weight to your fabric. A cloth that is
approximately 12 x 18" makes a good size.
Generally speaking, a wool cloth is best to
hold in the moisture when pressing wool, a
firm cotton is great for cottons, and medium
weight blends. A large piece of cheese cloth
can be folded, manipulated and adapted to
most pressing situations.
PRESSING METHODS
for
DIFFERENT FIBER CONTENTS
For best results, adapt the amount of heat,
moisture, and pressure you use to the fiber
content of the fabric. If you don’t know the
fiber content, test the fabric cautiously and
begin with a low temperature.
Linen requires high temperature and much
moisture. Press on the wrong side to prevent
shine, or use a cloth for right-side pressing.
Press until the fabric is completely dry.
Cotton requires a fairly high temperature and
some moisture. Easy-care finishes require
less heat and moisture. Heavy or very firmlywoven
cottons may need more moisture than
a steam iron supplies. Press cottons on the
right side for a smooth or shiny finish; on the
wrong side for a dull finish. Press fabric until
completely dry.
Wool requires a moderate temperature and
always needs some moisture. Do NOT press
completely dry. For right-side pressing,
protect the fabric with a wool press cloth.
Avoid heavy pressure on most woolens.
Silk requires moderate temperature and little,
if any, moisture. Press on the wrong side.
Prevent water spotting by using a dry cloth
next to the fabric and a damp cloth on top, or
use a steam iron and a dry cloth.
Rayon takes a moderate temperature. Test
for the amount of moisture to use. Press on
the wrong side, or use a press cloth for rightside
pressing to prevent a shine.
Lyocell (Tencel™) can be pressed on a
rayon setting—moderate temperature.
Depending on the texture of the fabric, it may
be acceptable to press on the right side. If in
doubt, press on the right side using a press
cloth.
Acetate requires a low temperature and little
moisture. It will melt or glaze under a hot iron.
Press the fabric on the wrong side or use a
cloth for any necessary right-side pressing to
prevent a shine. Never press completely dry.
Nylon and acrylic require low temperatures
and little pressure. Protect the fabric with a
press cloth. A steam iron can be used for
most of these fabrics. Follow the pressing
directions given on the label or the tag.
Polyester requires from low to medium
temperature and slight pressure. It is best to
press from the wrong side; protect the right
side with a press cloth to prevent shining.
Steam can be used on most fabrics. Follow
the manufacturer’s recommendation.
Modacrylic requires a VERY LOW
temperature. Press only if necessary. Protect
the fabric with a dry press cloth. Do not use a
steam iron--moisture lowers the melting point
of modacrylic.
Other manufactured fiber fabrics should
have the same general precautions taken as
recommended for those above–low heat and
the protection of a press cloth are safeguards
against heat damage. The important point to
keep in mind is that these fibers are heat
sensitive–some to a high degree, some less
so. Any damage done to such fabrics caused
by heat cannot be undone. Always follow the
directions on the label or hangtag.
Blends should usually be pressed at the
lowest temperature required by any one of the
fibers in the blend. Some blends are difficult
to press well when the fibers in the blend call
for widely-differing temperatures.
To simplify information in this publication, trade
names of some products are used. No
endorsement is intended nor criticism implied of
similar products not named.
*Prepared by Rachel Wallace, former staff
member. Revised by Bette Jo Dedic, retired
Extension Clothing Specialist, and Marsha
Herndon, former Extension Clothing Specialist.
Pressing is an essential part of any home sewing project. Good pressing techniques help to create
a professional-looking garment. Correct pressing helps to shape the fabric to your figure, flatten
seams and edges, and save you time.
GENERAL TECHNIQUES
To gain skill in pressing, you need both the
right equipment and the “know-how.” No
amount of careful cutting, fitting and
construction can make up for too much, too
little or incorrect pressing. Practice the eight
procedures listed here and you will soon
become an expert.
1. Before pressing the garment you are
making, always test-press a scrap of
the fabric first. Set the heat indicator
for the type of fiber. For a blend, set
the indicator for the fiber requiring the
lower temperature. For example, a
polyester-wool blend usually should be
pressed at the temperature polyester
requires. Test the fabric for the
amount of moisture, if any, needed to
shape it. Also check to see which type
of press cloth gives the best results.
2. Thorough pressing during each
construction step contributes to a
precision look. It makes following each
construction step easier, thus saving
you time. Very little final pressing is
necessary for a garment that has been
properly pressed while being made.
3. True pressing calls for a lowering and
lifting (up and down) motion. This
flattens the seam or molds the detail
without stretching the seam or
distorting the grain. Never push or
drag the iron over the fabric.
All pressing should be done with the
grain, just as in stitching. Press seams
from the wide to the narrow part of the
garment--from the hem to the waist of
the skirt, from the neck to the sleeves
at the shoulder, toward the point of a
dart, etc.
5. Press curved seams and shaped areas
over a pressing ham, roll or cushion
(Figure1). This helps mold the garment
to the figure. It also helps the garment
hold its shape.
6. Generally speaking, most pressing is
done on the wrong side of the garment
when possible. If moisture is needed,
use a steam iron or a damp cloth. For
best results, dampen the cloth with a
sponge. When pressing on the right
side of the garment, protect the fabric
with a cloth.
7. Press each seam, tuck or dart before it
is joined to a seam or piece of fabric.
Basting threads should be removed
before pressing. Steam pressing over
basting stitches will cause markings to
appear in the fabric that, for many
fabrics, are almost impossible to
remove.
8. Be sure the ironing board pad and
cover are completely free of lumps and
folds. Many fabrics will pick up marks
or develop a shine when pressed over
any type of unevenness. Keep the
soleplate of the iron clean and free of
any scratches.
9. Take care not to over press which can
remove surface texture and create
shine.
PRESSING DURING CONSTRUCTION
Darts
First press the dart on the fold with the tip of
the iron (Figure 2). Then press the dart
toward the center back or center front of the
garment, using a tailor’s ham (Figure 3).
Underarm and sleeve darts are turned
downward. Double pointed and curved darts
need to give at the fold or be clipped at the
center for a better line. Darts in very heavy
fabrics may be cut open almost to the point.
Press open darts the same way as an open
seam, forming a small box pleat at the point.
Hems
Press the fold of the hem after the hem is
marked, basted, trimmed, and eased at the
top. However, do not press over the bastings. Direct the iron from the lower edge of the
hem, always with the grain. You might put
heavy paper between the hem and the
garment to prevent the hemline from marking
the right side (Figure 4). Shrink the ease in
the hem, when necessary, by steaming it with
a steam iron or a damp press cloth. A final
pressing on the right side usually improves the
appearance of the skirt. If you prefer not to
have a crease in the fold of the hem, steam
press the hem by holding the steam iron
slightly above the hem. Do not actually touch
the iron to the fabric. Pat the dampened hem
line with your hand to give it a look.
Seams
For all seams, press along the stitching line in
the same direction as the seam was sewn.
When possible, open the seam flat with the tip
of the iron.
Flat Seam
Place heavy paper under the seam allowance
(see “Hems” above) to prevent ridges from
showing on the right side. Pressing the seam
over a pressing roll will serve the same
purpose. Steam if appropriate for the fabric.
When sewing on heavy, thick fabric that does
not press easily, a clapper (pounding block)
may be used on the seamline to insure a flat
seam.
Curved Seam
Place curved seams on a tailor’s ham, press
mitt or pressing roll to maintain roundness.
Press as for a flat seam.
Enclosed Seam
Place enclosed seam such as a collar, over
the edge of a point press (Figure 7). Open the
seam with the tip of the iron. Remove from
the point presser and turn right side out. Roll
the seam slightly to the underside and press
using a press cloth. A good rule to remember
is to press seams open when possible before
pressing them closed.
Sleeves
Some sleeve applications require the sleeve
cap to be eased smoothly into the armhole
opening. To shrink the ease in the sleeve cap
after its fullness has been adjusted, place the
cap over the end of the sleeve board or over the tailor’s ham. Steam carefully, allowing the
point of the iron to go up to, but not beyond
the stitching line into the cap (Figure 5).
Repeat the process until the ease is shrunk
out or the cap is shaped.
Not all the ease in blends or fibers and firmlywoven
fabrics will steam out, but the cap will
shape. All the ease may be steamed out of
wool. The sleeve needs little additional
pressing after it is stitched in placed. DO NOT
crease sleeves lengthwise.
Press the lower hem of a sleeve by pushing
the tip of the iron into the sleeve (Figure 6)
rather than by turning the sleeve wrong sideout.
EQUIPMENT
The proper pressing equipment will help you
achieve a more professional finish:
The point press is made of hard wood and is
used to press points, curves and straight
edges (Figure 7). It enables you to press
seams flat and open without wrinkling the
surrounding area.
The sleeve board is designed for pressing
small or slim areas, such as sleeves, that do
not fit over your regular ironing board (Figure
8). It should have a silicone cover and
padding.
The clapper is a block of smooth wood. It is
used along with steam to flatten seam edges
(Figure 9), and a “must” for tailoring. To use,
make as much steam as possible with steam
iron and/or iron with a damp press cloth.
Remove iron quickly while steam is still
present and pound area firmly. Regulate your
pressure to suit the desired edge. Do not use
clapper on fabrics with pile or hair, as the pile
will crush or the fibers may break. An 8-10"
piece of hardwood 2 x 4 makes a good
substitute for a commercial clapper.
The needleboard is used to press pile and
easily marred woolens fabric to prevent them
from flattening (Figure 10). The fabric is
placed face down on the board so that the pile
falls in between the needles. Sometimes a
heavy terry bath towel can be substituted
when a needleboard is not available.
The press cloth is one of the most important
pressing items (Figure 11). It is used to
prevent shine and to protect your fabric from
direct heat. An extra scrap of your fashion
fabric makes an excellent press cloth!
Otherwise select a cloth that is similar in
weight to your fabric. A cloth that is
approximately 12 x 18" makes a good size.
Generally speaking, a wool cloth is best to
hold in the moisture when pressing wool, a
firm cotton is great for cottons, and medium
weight blends. A large piece of cheese cloth
can be folded, manipulated and adapted to
most pressing situations.
PRESSING METHODS
for
DIFFERENT FIBER CONTENTS
For best results, adapt the amount of heat,
moisture, and pressure you use to the fiber
content of the fabric. If you don’t know the
fiber content, test the fabric cautiously and
begin with a low temperature.
Linen requires high temperature and much
moisture. Press on the wrong side to prevent
shine, or use a cloth for right-side pressing.
Press until the fabric is completely dry.
Cotton requires a fairly high temperature and
some moisture. Easy-care finishes require
less heat and moisture. Heavy or very firmlywoven
cottons may need more moisture than
a steam iron supplies. Press cottons on the
right side for a smooth or shiny finish; on the
wrong side for a dull finish. Press fabric until
completely dry.
Wool requires a moderate temperature and
always needs some moisture. Do NOT press
completely dry. For right-side pressing,
protect the fabric with a wool press cloth.
Avoid heavy pressure on most woolens.
Silk requires moderate temperature and little,
if any, moisture. Press on the wrong side.
Prevent water spotting by using a dry cloth
next to the fabric and a damp cloth on top, or
use a steam iron and a dry cloth.
Rayon takes a moderate temperature. Test
for the amount of moisture to use. Press on
the wrong side, or use a press cloth for rightside
pressing to prevent a shine.
Lyocell (Tencel™) can be pressed on a
rayon setting—moderate temperature.
Depending on the texture of the fabric, it may
be acceptable to press on the right side. If in
doubt, press on the right side using a press
cloth.
Acetate requires a low temperature and little
moisture. It will melt or glaze under a hot iron.
Press the fabric on the wrong side or use a
cloth for any necessary right-side pressing to
prevent a shine. Never press completely dry.
Nylon and acrylic require low temperatures
and little pressure. Protect the fabric with a
press cloth. A steam iron can be used for
most of these fabrics. Follow the pressing
directions given on the label or the tag.
Polyester requires from low to medium
temperature and slight pressure. It is best to
press from the wrong side; protect the right
side with a press cloth to prevent shining.
Steam can be used on most fabrics. Follow
the manufacturer’s recommendation.
Modacrylic requires a VERY LOW
temperature. Press only if necessary. Protect
the fabric with a dry press cloth. Do not use a
steam iron--moisture lowers the melting point
of modacrylic.
Other manufactured fiber fabrics should
have the same general precautions taken as
recommended for those above–low heat and
the protection of a press cloth are safeguards
against heat damage. The important point to
keep in mind is that these fibers are heat
sensitive–some to a high degree, some less
so. Any damage done to such fabrics caused
by heat cannot be undone. Always follow the
directions on the label or hangtag.
Blends should usually be pressed at the
lowest temperature required by any one of the
fibers in the blend. Some blends are difficult
to press well when the fibers in the blend call
for widely-differing temperatures.
To simplify information in this publication, trade
names of some products are used. No
endorsement is intended nor criticism implied of
similar products not named.
*Prepared by Rachel Wallace, former staff
member. Revised by Bette Jo Dedic, retired
Extension Clothing Specialist, and Marsha
Herndon, former Extension Clothing Specialist.